The contradictions of a digital life,.. Ben Gavin, produces thought provoking observations on both geopolitics and the constant power play we engage in as social media users. `Text by Mike Watson (ARTFORUM / ZERO BOOKS) READ HERE
More recently in a globalised and virtualised world, we are made to feel conscious of inclusion and diversity. Difference has never been more ideological. It has never been so ubiquitously high on the agenda.. Different + Painting, text by Adam Geczy (Bloomsbury UK) READ MORE
SOLO EXHIBITIONS AT CHAUFFEUR
DIFFERENT PAINTING
OCTOBER 15 - NOVEMBER 14, 2020
OCCUPATIONS ABOVE A SEA OF FOG
OCTOBER 11 - NOVEMBER 3 2018
TEXT by Anna Madeleine
AFTERMATH
CARTEL Bangkok
August 7-31, 2019
Building on the Duchampian strategy of the readymade and the use of artwork titles to create provocative self-descriptive works, Ben Gavin’s practice incorporates and displaces objects, text and images.
Aftermath transforms the gallery into an Contemporary Art Fair booth with signage mounted above the entrance. The viewer enters into a meditative space filled with residue: dispersed foam and cardboard, bundles of discarded plastic, tyvek paper, wrapping, water bottles, various tape, crushed aluminium cans, screws in the wall and coffee take away cups – the debris of excessive production and consumption.
Aftermath is a multilayered reading. The intimacy of disposable materials fleeting in space without purpose imitates the obfuscated realities of the globalised spectacle of blue chip art fairs. It questions their impact on local markets, ecologically, culturally and economically. By presenting Aftermath at CARTEL the artist metaphorically questions the vulnerability of cities with strong economical growth on the periphery of the Western art canon, such as Bangkok and alludes to the thriving local creativity of South East Asia as a place that demands it´s own international attention.
Exhibition and residency at CARTEL Bangkok courtesy of Mit Jai Inn and Kan Nathiwutthikun
Occupations Above A Sea Of Fog
Oil stick, emulsion, gelatine, pencil, charcoal on linen
230 x 190 cm
2017
Positive Criticism
Art Fair paper guide, acrylic and plinth 120 x 30 x 30 cm
2018
Swasbrook Collection Auckland
Installation view
Yellow Brick Road
Atelier Concorde Lisboa, 2017
Soil, works on paper, video, monitor, soft toy (globe) and plinth, wall based text in graphite
Banal
DMG Business card, acrylic and ink
12 x 8 x 3 cm
2016
Private collection, Melbourne
Distinction
Glass, wood, vanish, sheet cover of 21st Modern Art publication and Distinction (by Pierre Bourdieu)
40 x 25 x 46 cm
2016
F... Contemporary Art
Frieze magazine cover, coloured gloss print 25 x 6 cm
2014
Private collection
Delusions of Certainty (dots dots dots)
Vinyl in aluminium, branches, and rope
60 cm diameter, edition of 3
2022
Via Detour, Kassel, Germany
For Via DeTour, Gavin installed three upside down modified traffic control signs to embody a singular RGB data value (Red, Green and Blue dots) suspended deep in the forest to question consumption, ecology and the digital realm. How do we distinguish the real from simulation? What is simulation in real life? What is the real nature of reality?
Questions in which Delusions of Certainty response to with maximum implications about contemporary life and culture. The outcome is to keep in one’s memory a recurring theme that undermines the human condition to imposing weight of economical, social and political systems and values.
Request price for edition 2.
Satisfaction
Wallpaper, dimensions variable, edition of 3
2022